The clothes; the bouncing, center-parted hair; and the seventies vibe were all indivisible from Giannini's own style: a contemporary cherry-picking of casual-glam, jet-set dressing as caught in the flashbulbs of the paparazzi 30 years ago. She quoted Talitha Getty, Lee Radziwill, and Jane Birkin as direct inspiration: Getty for the long, flowy gypsy dresses; Radziwill for the neat banded coats; and Birkin for the teeny-tiny thigh-high smocks trimmed with broderie anglaise. Principally, though, it was a rendering of everything Giannini habitually plays with from the Gucci archive and makes her own-here in a palette of white, caramel, burnt orange, teal, and python. There were seashell scarf prints on chiffon, rib-cinching patchwork suede jackets, leather bombers with scallop cutouts or rose tattoo prints, disco-era cross-laced blouses, gold pendants with enamel scallops, and thick, silk cord belts looped through crisp white flares. The standouts: a pair of stacked espadrilles with a fringed suede ankle strap, the big low-slung python shoulder bag with a fold-over flap, and five different printed multilayer chiffon maxi dresses. It turns out, the dresses are special editions destined to be sold only in Rome. Right after the show, Giannini was already putting one of them-a black version with a twisted scarf neckline-through its party paces. It looked right at home.
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